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Close encounters of the big kind

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How did you buy your ticket? View All Videos 9. View All Photos Movie Info. Science fiction adventure about a group of people who attempt to contact alien intelligence.

Roy Neary Richard Dreyfuss witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it.

Roy refuses to accept an explanation for what he saw and is prepared to give up his life to pursue the truth about UFOs.

Steven Spielberg. Julia Phillips. Jul 1, Richard Dreyfuss Roy Neary. Teri Garr Ronnie Neary. Melinda Dillon Jillian Guiler.

Cary Guffey Barry Guiler. Bob Balaban David Laughlin. Patrick McNamara Project Leader. Warren J. Kemmerling Wild Bill. Roberts Blossom Farmer. Philip Dodds Jean Claude.

Steven Spielberg Director. Steven Spielberg Writer. Clark L. One key reason for the cover-up, you see, is that the aliens possess technology that could solve the energy crisis with the snap of an ET finger, nixing the need for oil or even solar panels.

Believe it or not, even the death of Marilyn Monroe has been glommed onto the conspiracy. The abductions, it turns out, were all staged as an act of counterintelligence.

And does this movie, as it implies, really think that the Russians or the Chinese would be any more humane about it? Vladimir Putin would eat an alien for breakfast.

But as it goes on, this all becomes a marketing hook for an increasingly flaked-out fantasy. Put another way: The belief in alien visitation, as presented here, is actually congruent with the Trump agenda — the idea that America could be restored in one fell swoop by an acceptance of the otherworldly saviors who are already in our midst.

That sounds, in its way, distressingly familiar: a promise to fix the world with fairy tales. Home Film Reviews. Apr 7, pm PT.

See All. Running time: MIN. Production: A release of a Star Contact production. Producers: Phillip James, Jim Martin.

Crew: Director, screenplay: Michael Mazzola. Camera: Paul Mathieu. Editor: Michael Mazzola. Music: Justin Hosford. With: Steven Greer. Music By:.

Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.

Crazy Credits. Alternate Versions. Rate This. Roy Neary, an electric lineman, watches how his quiet and ordinary daily life turns upside down after a close encounter with a UFO.

Director: Steven Spielberg. Writer: Steven Spielberg. Available on Amazon. Added to Watchlist. From metacritic.

Everything New on Netflix in October. Everything Coming to Prime Video in September Category: Alien. My Favourite Sci-Fi's. Steven Spielberg: Ranked and Rated.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 1 Oscar. Edit Cast Cast overview, first billed only: Richard Dreyfuss Ronnie Neary Melinda Dillon Jillian Guiler Bob Balaban David Laughlin J.

Patrick McNamara Project Leader Warren J. Farmer Philip Dodds Jean Claude Cary Guffey Barry Guiler Shawn Bishop Brad Neary Adrienne Campbell Silvia Neary Justin Dreyfuss Toby Neary Lance Henriksen Robert Merrill Connally Edit Storyline Two parallel stories are told.

petopanty.se - Kaufen Sie Close Encounters Of The 3Rd Kind - Ultimate Edition All it can do is provide a different perspective on what is already a great film. Close Encounters of the Fatal Kind: Suspicious Deaths, Mysterious Murders, and Bizarre Disappearances in UFO History | Redfern, Nick (Nick Redfern) | ISBN. Auf Discogs können Sie sich ansehen, wer an Vinyl von Close Encounters Of The Third Kind And Other Disco-Galactic Themes mitgewirkt hat. Erfahren Sie mehr über Veröffentlichungen von Geoff Love's Big Disco Sound - Close Encounters Of The Third Kind And Other Disco Galactic Themes auf. Buy Close Encounters of the Third Kind [DVD] [] from Amazon's Movies Store. Everyday low prices and free delivery on eligible orders.

Close Encounters Of The Big Kind Video

Close Encounters of the Third Kind (8/8) Movie CLIP - Contact (1977) HD

Close Encounters Of The Big Kind Video

Close Encounters of the Third Kind (6/8) Movie CLIP - Communicating with the Mothership (1977) HD Close encounters of the big kind

Roy Neary, an electric lineman, watches how his quiet and ordinary daily life turns upside down after a close encounter with a UFO. Director: Steven Spielberg.

Writer: Steven Spielberg. Available on Amazon. Added to Watchlist. From metacritic. Everything New on Netflix in October. Everything Coming to Prime Video in September Category: Alien.

My Favourite Sci-Fi's. Steven Spielberg: Ranked and Rated. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Won 1 Oscar. Edit Cast Cast overview, first billed only: Richard Dreyfuss Ronnie Neary Melinda Dillon Jillian Guiler Bob Balaban David Laughlin J.

Patrick McNamara Project Leader Warren J. Farmer Philip Dodds Jean Claude Cary Guffey Barry Guiler Shawn Bishop Brad Neary Adrienne Campbell Silvia Neary Justin Dreyfuss Toby Neary Lance Henriksen Robert Merrill Connally Edit Storyline Two parallel stories are told.

Edit Did You Know? Goofs In one scene, many people are on a hillside watching two bright lights approach them from near the horizon.

As the lights get closer a few more lights with lower intensity can be seen trailing behind them. The next shot shows that at least the two brighter lights were military Huey helicopters which are shown hovering near and scattering the people.

Huey helicopters have a very distinct and prominent "thump" generated by their rotors. The noise is very clear, especially if the chopper is headed directly towards the observer, and can be heard from a considerable distance from the aircraft.

It's very doubtful that two Hueys, possibly followed by more, would be able to approach the observers as quietly as shown in the scene.

The "Bell Thump" can be very reassuring if you're stuck in the weeds and need to get out of there fast. But, it doesn't make for a sneaky approach.

Quotes Roy Neary : [ contemplating the lump shape ] This means something. This is important. Crazy Credits Near the end of the credits it starts to reads as follows: "During the filming of all animal sequences, H.

EDWARDS, Veterinarian of Gillette, Wyoming, was in attendance at all times to aid the filmmakers and the anesthetist in proper treatment of the animals used, and at no time were the animals harmed or mistreated in any way.

It is basically Spielberg's final minute re-edit of the original version plus some sequences from the "Special Edition". It contains The Neary family's alternate longer introduction.

The 5-second flyover of the power company truck. The scientists discovery of the freighter in the Gobi desert is included.

The scene where Roy Neary argues with his wife and locks himself in a shower. The Air Force base press conference scene has been restored from the original version.

The scene where Roy throws dirt, plants and bricks through his kitchen window has been restored from the original version. This version does not contain the mothership ending from the "Special Edition", and retains the original end title music.

Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: How did the aliens decide who to abduct and who to send the psychic image of Devil's Tower to?

Q: Any recommendations for other movies that feature positive encounters with aliens? Q: What other movies have the five-note tonal phrase? Country: USA.

Language: English French Spanish Hindi. Sound Mix: 70 mm 6-Track 70 mm prints Dolby 35 mm prints. Color: Color Metrocolor.

The synthesizer used to play the five notes was an ARP The score was recorded at Warner Bros. Studios in Burbank, California.

Williams was nominated for two Academy Awards in , one for his score to Star Wars and one for his score to Close Encounters.

Film critic Charlene Engel observed Close Encounters "suggests that humankind has reached the point where it is ready to enter the community of the cosmos.

While it is a computer which makes the final musical conversation with the alien guests possible, the characteristics bringing Neary to make his way to Devils Tower have little to do with technical expertise or computer literacy.

These are virtues taught in schools that will be evolved in the 21st century. The film portrays new technologies as a natural and expected outcome of human development and indication of health and growth.

Other critics found a variety of Judeo-Christian analogies. Cecil B. Climbing Devils Tower behind the faltering Jillian, Neary exhorts Jillian to keep moving and not to look back, similar to Lot 's wife who looked back at Sodom and turned into a pillar of salt.

Roy's wife Ronnie attempts to hide the sunburn caused by Roy's exposure to the UFOs and wants him to forget his encounter with them.

She is embarrassed and bewildered by what has happened to him and desperately wants her ordinary life back. The expression of his lost life is seen when he is sculpting a huge model of Devils Tower in his living room, with his family deserting him.

Close Encounters also studies the form of "youth spiritual yearning". Barry Guiler, the unfearing child who refers to the UFOs and their paraphernalia as "toys" although that was unscripted, with the child being drawn to smile by being shown toys offstage , serves as a motif for childlike innocence and openness in the face of the unknown.

Roy, Jillian Guiler and a third invitee, Larry Butler, climb the mountain pursued by government helicopters spraying sleeping gas. Larry stops to rest, is gassed, and falls into a deep sleep.

In his interview with Spielberg on Inside the Actors Studio , James Lipton suggested Close Encounters had another, more personal theme for Spielberg: "Your father was a computer engineer; your mother was a concert pianist, and when the spaceship lands, they make music together on the computer", suggesting that Roy Neary's boarding the spaceship is Spielberg's wish to be reunited with his parents.

In a interview, Spielberg stated that he made Close Encounters when he did not have children, and if he were making it today, he would never have had Neary leave his family and go on the mother ship.

Communication and language issues constitute additional themes as noted by Andrew Johnston in Time Out New York : "Throughout the film, there are a number of scenes that anticipate themes Spielberg would explore in subsequent projects, but his execution of these ideas here is usually more interesting and subtle.

In Amistad , for example, he devotes much time to illustrating the language barrier separating Africans from both their captors and their potential saviors.

It's an essential plot point, but it's so belabored that the story gets bogged down. In CE3K , the language problem is illustrated concisely by a quick scene in which an interpreter translates Spanish into English for Laughlin so he can turn around and translate it into French for Lacombe.

Since Spielberg doesn't ram the language problem down our throats, the aliens' solution—using music to communicate with humanity—seems more elegant and natural.

The film was originally to be released in summer , but was pushed back to November because of the various problems during production. Jonathan Rosenbaum refers to the film as "the best expression of Spielberg's benign, dreamy-eyed vision".

Murphy found most of the film slow-paced, but praised the film's climax. On the final cut privilege , Spielberg was dissatisfied with the film.

Columbia Pictures was experiencing financial problems, and they were depending on this film to save their company. They told me they needed this film out immediately", Spielberg explained.

They agreed on the condition that I show the inside of the mothership so they could have something to hang a [reissue marketing] campaign on.

I never should have shown the inside of the mother ship. Spielberg added seven minutes of new footage, but also deleted or shortened various existing scenes by a total of ten minutes, so that the Special Edition was three minutes shorter than the original release, running minutes.

This new version Why didn't Spielberg make it this good the first time? Vincent Misiano reviewed Close Encounters: The Special Edition in Ares Magazine 5 and commented that "Artists in other media have always had the luxury of returning to a piece, reworking and refining it.

Steven Spielberg has been given the chance and used it well. In , Spielberg recut Close Encounters again for what would become the "Director's Cut", released on home video as simply the "Collector's Edition", which was released on home video and LaserDisc.

This version of the film is a re-edit of the original release with some elements of the Special Edition, but omits the mothership interior scenes as Spielberg felt they should have remained a mystery.

The director's cut is the longest release of the film, running a total of minutes, two minutes longer than the theatrical version and five minutes longer than the special edition.

There have also been many other alternative versions of the film for network and syndicated television, as well as the aforementioned Criterion LaserDisc version.

Some of these combined all released material from the and versions. However, most of these versions were not edited by Spielberg, who regards the "Collector's Edition" as his definitive version of Close Encounters.

The Collector's Edition was given a limited release as part of a roadshow featuring select films to celebrate Columbia Pictures' 75th anniversary in It was the first time this version of the film had been shown theatrically.

The director's cut was once again released in theaters on September 1, in tribute to the film's 40th anniversary. A single-disc DVD edition of the film was released on August 27, Containing for the first time, all three versions packaged together.

Following its theatrical re-release of the director's cut, the movie was released in 4K and Blu-ray with all three versions given the same 4K treatment.

There, the film tied with Star Wars for Direction and Music. Spielberg's screenplay , Richard Dreyfuss, Melinda Dillon and the visual effects department received nominations.

Shortly after the film's release in late , Spielberg desired to do either a sequel or prequel , before deciding against it.

He explained, "The army's knowledge and ensuing cover-up is so subterranean that it would take a creative screen story, perhaps someone else making the picture and giving it the equal time it deserves.

When asked in to select a single "master image" that summed up his film career, Spielberg chose the shot of Barry opening his living room door to see the blazing orange light from the UFO.

In the comedy film Monsters vs. Aliens , the president of the United States plays the five-note sequence on a synthesizer while attempting " first contact " with an alien robot.

In the South Park episode " Imaginationland ", a government scientist uses the five-note sequence to try to open a portal. From Wikipedia, the free encyclopedia.

For the concept from which this film derives its name, see Close encounter. Theatrical release poster. Julia Phillips Michael Phillips. Release date.

Running time. Main article: Close Encounters of the Third Kind soundtrack. See also: Night Skies. British Board of Film Classification.

December 16, Retrieved September 16, Box Office Mojo. Retrieved September 5, Library of Congress. December 27, Library of Congress, Washington, D.

Retrieved June 2, AMC Networks Inc. Seppala July 26, Archived from the original on August 3, Retrieved July 27, Take One.

Film Comment. Little White Lies. Archived from the original on August 12, Retrieved August 12, Art of the Title. Archived from the original on August 11, Retrieved August 11, Saskatoon Star-Phoenix.

Saskatoon, Saskatchewan. Retrieved September 3, Indecent Exposure , p. New York: HarperCollins. Sound On Sound. August Archived from the original on February 6, Miller Freeman Books.

Rolling Stone. Retrieved August 2, Turner Classic Movies. The Films of Steven Spielberg. Scarecrow Press. Spielberg on Spielberg. Cinema Confidential.

June 28, Retrieved January 10, Time Out New York : May Be Record". Daily Variety. The Hollywood Reporter. December 29, Retrieved September 12, January 5, April 13, Chicago Reader.

Retrieved April 26, November 8, Entertainment Weekly. December 2, Retrieved November 17, Chicago Sun-Times.

Close Encounters of the Third Kind. Ares Magazine. Simulations Publications, Inc. Deadline Hollywood. Archived from the original on July 2, Retrieved May 29, Academy of Motion Picture Arts and Sciences.

Retrieved October 5, Los Angeles Times. British Academy of Film and Television Arts. Archived from the original on May 1, The Hugo Awards.

Archived from the original on May 7, Saturn Awards. Archived from the original on May 12, Hollywood Foreign Press Association. Archived from the original on May 28,

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