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Reply 0. For a child who needs a smaller size, a fractional-sized violin is often strung with the strings of a viola. Large violas tenors were designed to play the lower register viola lines or second viola in five part harmony depending on instrumentation.

A smaller viola, nearer the size of the violin, was called an alto viola. It was more suited to higher register writing, as in the viola 1 parts, as their sound was usually richer in the upper register.

Its size was not as conducive to a full tone in the lower register. Several experiments have intended to increase the size of the viola to improve its sound.

Many experiments with the acoustics of a viola, particularly increasing the size of the body, have resulted in a much deeper tone, making it resemble the tone of a cello.

One of the most notable makers of violas of the twentieth century was Englishman A. Smith , whose violas are sought after and highly valued.

More recent and more radically shaped innovations have addressed the ergonomic problems associated with playing the viola by making it shorter and lighter, while finding ways to keep the traditional sound.

Other experiments that deal with the "ergonomics vs. The American composer Harry Partch fitted a viola with a cello neck to allow the use of his tone scale, called the "adapted viola".

Luthiers have also created five-stringed violas, which allow a greater playing range. A person who plays the viola is called a violist or a viola player.

The technique required for playing a viola has certain differences compared with that of a violin, partly because of its larger size: the notes are spread out farther along the fingerboard and often require different fingerings.

The viola's four strings are normally tuned in fifths: the lowest string is C an octave below middle C , with G, D and A above it.

This tuning is exactly one fifth below the violin, [14] so that they have three strings in common—G, D, and A—and is one octave above the cello.

Each string of a viola is wrapped around a peg near the scroll and is tuned by turning the peg. Tightening the string raises the pitch; loosening the string lowers the pitch.

The A string is normally tuned first, to the pitch of the ensemble: generally hz. The other strings are then tuned to it in intervals of fifths, usually by bowing two strings simultaneously.

Most violas also have adjusters — fine tuners , particularly on the A string that make finer changes. Such tuning is generally easier to learn than using the pegs, and adjusters are usually recommended for younger players and put on smaller violas, though pegs and adjusters are usually used together.

Some violists reverse the stringing of the C and G pegs, so that the thicker C string does not turn so severe an angle over the nut , although this is uncommon.

Small, temporary tuning adjustments can also be made by stretching a string with the hand. A string may be tuned down by pulling it above the fingerboard, or tuned up by pressing the part of the string in the pegbox.

These techniques may be useful in performance, reducing the ill effects of an out-of-tune string until an opportunity to tune properly.

The tuning C—G—D—A is used for the great majority of all viola music. However, other tunings are occasionally employed, both in classical music , where the technique is known as scordatura , and in some folk styles.

He probably intended to give the viola a brighter tone so the rest of the ensemble wouldn't overpower it. Occasionally the C string may also be tuned up to D.

A renewal of interest in the viola by performers and composers in the twentieth century led to increased research devoted to the instrument.

Paul Hindemith and Vadim Borisovsky made an early attempt at an organization, in , with the Violists' World Union. But it was not until , with the creation of the Viola-Forschungsgesellschaft, now the International Viola Society IVS , that a lasting organization took hold.

The s also saw the beginning of several research publications devoted to the viola, beginning with Franz Zeyringer's, " Literatur für Viola" , which has undergone several versions, the most recent being in In , Maurice Riley produced the first attempt at a comprehensive history of the viola, in his History of the Viola , which was followed with a second volume in The IVS published the multi-language Viola Yearbook from to , during which several other national chapters of the IVS published respective newsletters.

The Primrose International Viola Archive at Brigham Young University houses the greatest amount of material related to the viola, including scores, recordings, instruments, and archival materials from some of the world's greatest violists.

Music that is written for the viola differs from that of most other instruments, in that it primarily uses the alto clef , which is otherwise rarely used.

The trombone occasionally uses the alto clef, but not primarily. The comparatively rare alto trombone primarily uses the alto clef.

Another instrument that commonly uses alto clef is the Viola d'Amore. Viola music employs the treble clef when there are substantial sections of music written in a higher register.

The alto clef is defined by the placement of C 4 on the center line of the staff. In treble clef, this note is placed one ledger line below the staff and in the bass clef used, notably, by the cello and double bass it is placed one ledger line above.

As the viola is tuned exactly one octave above the cello meaning that the viola retains the same string notes as the cello, but an octave up , pieces written for the cello can be easily transposed to the alto clef.

For example, there are numerous editions of Bach's Cello Suites transcribed for viola that retain the original key, notes, and musical patterns.

In early orchestral music, the viola part was usually limited to filling in harmonies , with very little melodic material assigned to it.

When the viola was given a melodic part, it was often duplicated or was in unison with the melody played by other strings. The concerti grossi, " Brandenburg Concerti ", composed by J.

Bach , were unusual in their use of viola. The third concerto grosso, scored for three violins, three violas, and lower strings with basso continuo, requires occasional virtuosity from the violists.

The viola plays an important role in chamber music. Mozart used the viola in more creative ways when he wrote his six string quintets. The young Felix Mendelssohn wrote a little-known Viola Sonata in C minor without opus number, but dating from Robert Schumann wrote his Märchenbilder for viola and piano.

He also wrote a set of four pieces for clarinet, viola, and piano, Märchenerzählungen. Max Bruch wrote a romance for viola and orchestra, his Op. From his earliest works, Brahms wrote music that prominently featured the viola.

Among his first published pieces of chamber music, the sextets for strings Op. Late in life, he wrote two greatly admired sonatas for clarinet and piano , his Op.

Bach, Mozart and Beethoven all occasionally played the viola part in chamber music. The viola occasionally has a major role in orchestral music, a prominent example being Richard Strauss ' tone poem Don Quixote for solo cello and viola and orchestra.

It was later scored for orchestra with violin sections, and published in Recordings of the older scoring with violas are available.

While the viola repertoire is quite large, the amount written by well-known preth-century composers is relatively small.

There are many transcriptions of works for other instruments for the viola and the large number of 20th-century compositions is very diverse.

See "The Viola Project" at the San Francisco Conservatory of Music, where Professor of Viola Jodi Levitz has paired a composer with each of her students, resulting in a recital of brand-new works played for the very first time.

In the earlier part of the 20th century, more composers began to write for the viola, encouraged by the emergence of specialized soloists such as Lionel Tertis.

Paul Hindemith wrote a substantial amount of music for the viola; being himself a violist, he often performed his own works.

Claude Debussy 's Sonata for flute, viola and harp has inspired a significant number of other composers to write for this combination.

Elliott Carter also wrote several works for viola including his Elegy for viola and piano; it was subsequently transcribed for clarinet.

Rebecca Clarke was a 20th-century composer and violist who also wrote extensively for the viola. Lionel Tertis records that Edward Elgar whose cello concerto Tertis transcribed for viola, with the slow movement in scordatura , Alexander Glazunov who wrote an Elegy , Op.

In spectral music , the viola has been sought after because of its lower overtone partials that are more easily heard than on the violin.

Neo-Romantic, post-Modern composers have also written significant works for viola including Robin Holloway Viola Concerto op.

The viola is sometimes used in contemporary popular music, mostly in the avant-garde. Jazz music has also seen its share of violists, from those used in string sections in the early s to a handful of quartets and soloists emerging from the s onward.

It is quite unusual though, to use individual bowed string instruments in contemporary popular music. Although not as commonly used as the violin in folk music, the viola is nevertheless used by many folk musicians across the world.

Viola page

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Such tuning is generally easier to learn than using the pegs, and adjusters are usually recommended for younger players and put on smaller violas, though pegs and adjusters are usually used together.

Some violists reverse the stringing of the C and G pegs, so that the thicker C string does not turn so severe an angle over the nut , although this is uncommon.

Small, temporary tuning adjustments can also be made by stretching a string with the hand. A string may be tuned down by pulling it above the fingerboard, or tuned up by pressing the part of the string in the pegbox.

These techniques may be useful in performance, reducing the ill effects of an out-of-tune string until an opportunity to tune properly.

The tuning C—G—D—A is used for the great majority of all viola music. However, other tunings are occasionally employed, both in classical music , where the technique is known as scordatura , and in some folk styles.

He probably intended to give the viola a brighter tone so the rest of the ensemble wouldn't overpower it.

Occasionally the C string may also be tuned up to D. A renewal of interest in the viola by performers and composers in the twentieth century led to increased research devoted to the instrument.

Paul Hindemith and Vadim Borisovsky made an early attempt at an organization, in , with the Violists' World Union.

But it was not until , with the creation of the Viola-Forschungsgesellschaft, now the International Viola Society IVS , that a lasting organization took hold.

The s also saw the beginning of several research publications devoted to the viola, beginning with Franz Zeyringer's, " Literatur für Viola" , which has undergone several versions, the most recent being in In , Maurice Riley produced the first attempt at a comprehensive history of the viola, in his History of the Viola , which was followed with a second volume in The IVS published the multi-language Viola Yearbook from to , during which several other national chapters of the IVS published respective newsletters.

The Primrose International Viola Archive at Brigham Young University houses the greatest amount of material related to the viola, including scores, recordings, instruments, and archival materials from some of the world's greatest violists.

Music that is written for the viola differs from that of most other instruments, in that it primarily uses the alto clef , which is otherwise rarely used.

The trombone occasionally uses the alto clef, but not primarily. The comparatively rare alto trombone primarily uses the alto clef. Another instrument that commonly uses alto clef is the Viola d'Amore.

Viola music employs the treble clef when there are substantial sections of music written in a higher register. The alto clef is defined by the placement of C 4 on the center line of the staff.

In treble clef, this note is placed one ledger line below the staff and in the bass clef used, notably, by the cello and double bass it is placed one ledger line above.

As the viola is tuned exactly one octave above the cello meaning that the viola retains the same string notes as the cello, but an octave up , pieces written for the cello can be easily transposed to the alto clef.

For example, there are numerous editions of Bach's Cello Suites transcribed for viola that retain the original key, notes, and musical patterns.

In early orchestral music, the viola part was usually limited to filling in harmonies , with very little melodic material assigned to it.

When the viola was given a melodic part, it was often duplicated or was in unison with the melody played by other strings.

The concerti grossi, " Brandenburg Concerti ", composed by J. Bach , were unusual in their use of viola. The third concerto grosso, scored for three violins, three violas, and lower strings with basso continuo, requires occasional virtuosity from the violists.

The viola plays an important role in chamber music. Mozart used the viola in more creative ways when he wrote his six string quintets.

The young Felix Mendelssohn wrote a little-known Viola Sonata in C minor without opus number, but dating from Robert Schumann wrote his Märchenbilder for viola and piano.

He also wrote a set of four pieces for clarinet, viola, and piano, Märchenerzählungen. Max Bruch wrote a romance for viola and orchestra, his Op.

From his earliest works, Brahms wrote music that prominently featured the viola. Among his first published pieces of chamber music, the sextets for strings Op.

Late in life, he wrote two greatly admired sonatas for clarinet and piano , his Op. Bach, Mozart and Beethoven all occasionally played the viola part in chamber music.

The viola occasionally has a major role in orchestral music, a prominent example being Richard Strauss ' tone poem Don Quixote for solo cello and viola and orchestra.

It was later scored for orchestra with violin sections, and published in Recordings of the older scoring with violas are available. While the viola repertoire is quite large, the amount written by well-known preth-century composers is relatively small.

There are many transcriptions of works for other instruments for the viola and the large number of 20th-century compositions is very diverse.

See "The Viola Project" at the San Francisco Conservatory of Music, where Professor of Viola Jodi Levitz has paired a composer with each of her students, resulting in a recital of brand-new works played for the very first time.

In the earlier part of the 20th century, more composers began to write for the viola, encouraged by the emergence of specialized soloists such as Lionel Tertis.

Paul Hindemith wrote a substantial amount of music for the viola; being himself a violist, he often performed his own works.

Claude Debussy 's Sonata for flute, viola and harp has inspired a significant number of other composers to write for this combination.

Elliott Carter also wrote several works for viola including his Elegy for viola and piano; it was subsequently transcribed for clarinet.

Rebecca Clarke was a 20th-century composer and violist who also wrote extensively for the viola. Lionel Tertis records that Edward Elgar whose cello concerto Tertis transcribed for viola, with the slow movement in scordatura , Alexander Glazunov who wrote an Elegy , Op.

In spectral music , the viola has been sought after because of its lower overtone partials that are more easily heard than on the violin.

Neo-Romantic, post-Modern composers have also written significant works for viola including Robin Holloway Viola Concerto op. The viola is sometimes used in contemporary popular music, mostly in the avant-garde.

Jazz music has also seen its share of violists, from those used in string sections in the early s to a handful of quartets and soloists emerging from the s onward.

It is quite unusual though, to use individual bowed string instruments in contemporary popular music. Although not as commonly used as the violin in folk music, the viola is nevertheless used by many folk musicians across the world.

Extensive research into the historical and current use of the viola in folk music has been carried out by Dr. Lindsay Aitkenhead.

Clarence "Gatemouth" Brown was the viola's most prominent exponent in the genre of blues. The viola is also an important accompaniment instrument in Slovakian , Hungarian and Romanian folk string band music, especially in Transylvania.

Here the instrument has three strings tuned G 3 —D 4 —A 3 note that the A is an octave lower than found on the standard instrument , and the bridge is flattened with the instrument playing chords in a strongly rhythmic manner.

There are few well-known viola virtuoso soloists, perhaps because little virtuoso viola music was written before the twentieth century. Among the great composers, several preferred the viola to the violin when they were playing in ensembles, [18] the most noted being Ludwig van Beethoven , Johann Sebastian Bach [19] and Wolfgang Amadeus Mozart.

Among those noted both as violists and as composers are Rebecca Clarke and Paul Hindemith. Contemporary composers and violists Kenji Bunch , Scott Slapin , and Lev Zhurbin have written a number of works for viola.

Amplification of a viola with a pickup , an instrument amplifier and speaker , and adjusting the tone with a graphic equalizer can make up for the comparatively weaker output of a violin-family instrument string tuned to notes below G3.

There are two types of instruments used for electric viola: regular acoustic violas fitted with a piezoelectric pickup and specialized electric violas, which have little or no body.

While traditional acoustic violas are typically only available in historically used earth tones e. Some electric violas are made of materials other than wood.

Most electric instruments with lower strings are violin-sized, as they use the amp and speaker to create a big sound, so they don't need a large soundbox.

Indeed, some electric violas have little or no soundbox, and thus rely on entirely on amplification. Fewer electric violas are available relative to electric violins.

Welsh musician John Cale , formerly of The Velvet Underground , is one of the more famous users of such an electric viola, who has used them both for melodies in his solo work and for drones in his work with The Velvet Underground e.

Instruments may be built with an internal preamplifier , or may put out an unbuffered transducer signal. In rock and other loud styles, the electric viola player may use effects units such as reverb or overdrive.

From Wikipedia, the free encyclopedia. This article is about the musical instrument. For other uses, see Viola disambiguation.

Violio lived in , at address , Texas. Viola married Gregorio Cojulun. Gregorio was born in , in Guatemala. Documents of Viola Cojulun born Paige. Lucille had 4 siblings: Marie Turner and 3 other siblings.

Lucille lived in , at address , Texas. Viola Cojulun Viola Cojulun in U. Viola passed away on November 3 , at age Clara was born on July 26 , in Towitta, Australia.

James was born in , in South Australia. Viola passed away on month day , at age 59 at death place. Melvin was born on May 15 Viola had 5 siblings.

She was buried at burial place , New York. MARY was born in Viola lived in , at address , Vermont. Viola passed away on month day , at age 16 at death place , Vermont.

Documents of Viola Jesset Page. Mary Jane,3 b. Paige b. April 4. May Henry Fortune Viola had one sibling: Unknown Paige.

Viola lived on month day , at address , Vermont. Ophelia was born on January 28 Viola married George Frank Bartlett. George was born on March 4 They had 3 children: Edith May Drown born Bartlett and 2 other children.

Documents of Viola Allura Bartlett born Page. Viola married George F Bartlett. They had one child: Doris P Bartlett. Viola lived in , at address , New Hampshire.

Viola had 3 siblings: Edward F Page and 2 other siblings. Viola lived on month day , at address , New Hampshire. They had 2 children: Doris D Bartlett and one other child.

Viola married George I Bartlett. She lived in , at address , New Hampshire. May was born in Clayton new york. Viola married Charles Wright. Charles was born in , in USA.

Viola married George Alfred West on month day George was born on January 7 , in Chatham, Onterio, Canada.

They had 2 daughters: Cora Ellen Lowry born West and one other child. Viola passed away in They had 2 children: Richard Latimer and one other child.

They had one daughter: bertha rodgers born lovelady. Grant was born on November 8 , in Barnard, Vt.. They had 4 children: Clare Paige and 3 other children.

Viola passed away. Documents of Viola Paige born Kenobrick. Ethel Paige, b. Grant Lincoln Paige, b. Tbev had : Viola married John Paige.

John was born in Mobile Alabama. Find family history information in a whole new way. Get started. FamilySearch Family Tree.

They had 3 children: Edith May Drown and 2 other children. She lived in , at address. Viola passed away on month day , at age 75 at death place , New Hampshire.

She was buried on month day , at burial place , New Hampshire. They had 2 daughters: Viola Ada Campbell and one other child. Viola married Richard John Latimer on month day , at age 23 at marriage place , Montana.

Viola lived in , at address , Montana. Viola passed away on month day , at age 57 at death place , California. Viah married Anderson Clark Crabb on month day , at age They had 2 daughters: Vanchee Adelle Crabb and one other child.

Viah lived in , at address , Oregon. She lived in , at address , Washington. She lived in , at address , Oregon.

Viah passed away in month , at age 90 at death place , Oregon. She was buried in , at burial place. They had 3 children: Julia Paige and 2 other children.

Viola lived in , at address , Alabama. She lived in , at address , Alabama. Viola married Joshua Paige. They had 2 children: Violet Paige and one other child.

Viola lived in , at address , New Jersey. She lived in , at address , New Jersey. Viola married Gordon Paige. They had one child: Richard P Paige.

Viola lived in , at address , Missouri. She lived in , at address , Missouri. Viola lived in , at address , Oklahoma. She lived in , at address , Oklahoma.

Geni World Family Tree. Amy married Melvin, Stephen Hubbard. Amy passed away on month day , at age 76 at death place , Massachusetts.

Paige and Sarah, M.

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